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Turkey Arts and Music

Turkey Arts and Music

ART AND ARCHITECTURE

According to TOPSCHOOLSINTHEUSA, the most ancient products of Turkish art are goldsmiths and gold trimmings, already in use before the Christian era among the populations of the regions close to the Altai: they are generally called Scythians (fibulae etc., in the shape of stylized animals, worked cantilever). Textile art soon reached artistic level, both in the canvases for the decoration of the curtains and in the carpets. It is in these two fields that Turkey has made the greatest contribution to Islamic art, bringing a strong tendency to decoration since the 9th century. and with greater force from the 11th (➔ islam). In the Ottoman period, art and architecture were able to merge the experiences of previous eras by expressing themselves in original ways (➔ Ottoman, Empire).

The opening towards the West began in the 19th century. with the development, in painting, of new genres for Turkish culture (landscape, still life, study of the human figure): to remember Ahmet Paşa and S. Seyyit and above all O. Hamdi, director since 1881 of the Ottoman Imperial Museum and of Academy, founded in 1883 in İstanbul, the city leads even after the creation of the republic. The Association of Ottoman Painters, since 1917 Association of Turkish Painters, of which N. Güran was a member, with the magazine Naşir-i Efkâr («Promoter of ideas»), organized exhibitions, from 1923, also in Ankara. In 1933, group D, founded by N. Berk, was at the forefront of the avant-garde in Turkey while an interesting project sent artists to the various provinces.

In addition to cultural events such as the International Biennial of İstanbul and the Asia-Europe Biennial of Ankara, an important role in supporting contemporary art in Turkey has been played by both private galleries and institutions and exhibition centers such as the Center for Contemporary Art BM (1984) and the Museum of Contemporary Art (1992) in İstanbul. The attention to western expressive modes, from abstraction to pop art, from minimalism to conceptual art, and at the same time a recovery of tradition and the exploration of the border between East and West, have marked the research of the second half of the 20th century. . Influential personalities are A. Coker, A. Gürman. They have maintained a link with tradition, through the art of calligraphy, N. Okyay and H. Aytac, transmitted to the younger A. Alpaslan and H. Çelebi. K. Önsoy works in the field of material-gestural experiences; A. Öktem, E. Aksel, S. Kiraz are linked to conceptual researches, while M. Morova expresses himself through painting, collage and installation. H. Tenger creates committed installations, involved in contemporary reality; E. Ersen creates complex works, including photography, video, installation and action. He works in the field of video art Ö. Ali Kazma. In the use of advanced technologies and net art we remember G. Incirlioğlu, architect and photographer; xurban.net, an acronym born in 2000 as an Internet initiative, uses the world wide web for artistic projects, and is open to anonymous external contributions.

In architecture, the opening to modernism and avant-garde languages, also initiated by the presence of R. D’Aronco in İstanbul, was accentuated with the Turkish Republic through the activity of architects such as C. Holzmeister, H. Poelzig, B. Taut, P. Bonatz. Among the Turkish architects active at the turn of the 19th and 20th centuries, SH Eldem emerges who, despite being influenced by Western ways, felt the need for a national language. Of the following generations we remember Turkey Cansever and B. Cinici, while among the younger ones we can distinguish H. Tumertekin and Studio GAD.

MUSIC

Turkish musical theory is based on an articulated scale in a profoundly different way from the European one, which identifies within 24 sounds (derived from the 24 keys of the main Turkish instrument, a lute called tanbur) and distinguishes a hundred modes on this basis. Cultured secular music is closely linked to the Arab tradition. Sacred music is divided into three basic genres: Ilahi, the hymns for the various months of the Muslim year, Tevchic (praises of the Prophet), Ayni Cherif, repertoire of dervishes. A singular aspect of the relationship between Turkish and European music is the popularity it had in Europe towards the end of the 18th century. the music of the Janissaries (the bodyguards of the sultans), with its characteristic percussion instruments (triangles, drums, cymbals): called Turkish, was the object of imitation or at least of allusion by numerous composers, including WA Mozart and L. van Beethoven. The creation of a Turkish national school is mainly due to a series of composers born in the first decade of the 20th century. and mainly trained in Paris and Vienna, such as DR Rey, UD Erkin, AA Saygun, NK Akses, F. Alnar. More recently, N. Kodalli, F. Tüzün, I. Baran, M. Su. A national conservatory was founded in İstanbul in 1915, which was later joined by some major musical institutions such as the İstanbul Municipal Theater and the Ankara State Theater.

Turkey MUSIC

Turkey Major Cities by Population

Turkey Major Cities by Population

In relation to the great diversity of the natural environment are the significant differences that are noted in the rural settlement. The highest areas of the interior, wooded and grassy, ​​are crossed in summer by nomadic shepherds (called Juruchi, whose number is estimated at about 200 thousand), who live in mountain farmhouses (yaya), while in winter they they gather at the bottom forming villages of tents (kï Ş lak), which gradually become fixed.

On the slopes of the hills bordering the plateau, where there are dejection cones and there is no shortage of water, Turkish horticulturists and farmers have gladly built their homes, who grow wheat, opium poppies, vegetables and live in villages. to houses side by side, built with sun-dried bricks and with a flat roof, with a terrace, generally with two floors, of which the lower is used for stable and shed, the upper for housing. In older houses, the part reserved for women (harem) is still separate from that reserved for men (selamlik) and walls block the view of the courtyards to outsiders. In the steppes, which were better suited to grazing than to cultivation when this was practiced extensively, a vast colonization by refugees from Macedonia, Bulgaria and Dobruja began a few years ago. The houses, arranged for the most part in a checkerboard pattern, are larger than among horticulturists, given the need to have stables to shelter the cattle used for the heavy work of the fields, and the roof, similar to European houses, is slightly sloping. sloping, built with tiles and reeds. The part of the steppe where rainfall is too scarce to be able to attempt cereal cultivation, is the undisputed dominion of the Kurds and Turkmen, dedicated to livestock, who live in rather large villages, located near the springs; the houses are spacious, built of stone and the roof is flat. In the warmer regions of Kurdistān, which look towards Mesopotamia, the high night temperatures push the residents to sleep in the summer on the terraces, where the beds are brought, sheltered from mosquito nets. For Turkey 1999, please check estatelearning.com.

The houses are low, often built with earth mixed with straw, or with stones of the same color as the surrounding land. In N., in the forest area, wooden houses prevail, with frequent footprints left by the Greeks. Then corresponds to our farm the çiftlik, very common in western Anatolia, which mostly consists of a large farmyard, around which are the low settlers’ houses, with 3 or 4 rooms. In 1927 a census of buildings was also carried out and 2,770,000 residential houses were counted, 89,000 buildings not intended for habitation, but inhabited, and 800,000 other buildings, with a minimum of 237 residents for 100 houses in the Bilecik vilâyet and a maximum of 723 in the Istanbul vilâyet.

Just under a quarter of the population (23.5%) lives in cities and the rest in rural municipalities. There are 403 cities in all, but only 80 have a population of over 10 thousand. and 21 over 25 thousand residents The latter are as follows:

It should be noted that only 5 cities are located on the coast: two overlook the Black Sea, two the Mediterranean and one is where Europe and Asia almost meet. Although Istanbul is no longer the state capital, it retains its economic and military importance, given its location at the intersection of land and sea routes. Among the cities of the Black Sea, Trebizond, which overlooks the sea from a rocky platform, is the outlet of a vast hinterland (partly beyond the border); Samsun is in considerable progress, after the opening of the railway that connects it to the Mediterranean; Smyrna is still intent on repairing the damage of the fire (1922) which largely destroyed it; Mersina is in a favorable position with respect to the hinterland, a short distance from Adana, market of the Cilician plain and traffic junction, but suffers from the lack of a good port. Among the centers of the interior, among which the most important is Angora (870 msm), which is losing its appearance as a market place near a fortress, to increasingly assume that of capital (from 13 November 1923), Brussa should be remembered. (180 msm), ancient capital, rich in monuments, a city where the textile industry has a long tradition, which is located between two terraces on the slopes of the Olympus of Misia and which looks from above towards a well-cultivated plain. A SE. di Brussa EskiŞehir (752 msm) is an obligatory point of passage for those who have to go from the old to the new capital. Conia (1028 msm) is in a region that constitutes a well-identified unit, so much so that it resembles an oasis, and, little damaged by the exodus of Greeks, it now benefits from the crops grown in the irrigated area of ​​Çumra. While Conia is located at the western limit of the Lycaonia plain, on the eastern side there is Caesarea (1070 masl), a short distance from Kïzïl Ïrmak, near the slopes of the Aegean, a large andesitic ulcano 3830 m high, at the foot of the which gush out of the springs which allow an intensive cultivation; instead everything around dominates the steppe. NE. there is Sïvas (1220 masl), once an isolated locality located in the upper valley of the Kïzïl Ïrmak, while now a railway section connects it to the Samsun-Cesarea line; towards the east the railway will have to reach Erzerum (2038 meters above sea level). A SE. there are numerous cities, Gazi Antep (940 masl), a large center between the Euphrates valley and the plain of Cilicia; Diyarbekir, road and caravan junction on the right bank of the Tigris; Maraş (720 msm), railway junction near the buttresses of the Antitaurus; Malatya (870 msm), a short distance from the Euphrates in the midst of intensive cultivation; Urfa (660 msm), cities all oriented towards Mesopotamia and in which Kurdish and Arab aspects prevail.

Turkey Brussa